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Advantages of this Mic
- Full lower mids with great detail for vocals
- Our favorite dynamic live vocal mic
- Quick transient response
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Advantages of this Mic
- Pristine, natural, warm sound
- Durable Build
- Excellent Feedback Rejection
- Versatile: Works well with live and recorded vocals, acoustic instruments, amplifiers, and spoken word applications.
- Low Handling Noise
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Advantages of this Mic
- Superior Clarity: Provides a detailed sound with minimal EQ adjustments needed.
- Wide Sweet Spot.
- Excellent Off-Axis Rejection: Reduces stage noise and feedback, especially in the supercardioid model.
- Controlled Proximity Effect
- Durable
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Advantages of this Mic
- High output and response gives vocals more presence than most stage mics
- Durable
- Large Diaphragm delivers condenser-like detail
- Excellent Feedback Rejection
- Low Handling Noise
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Advantages of this Mic
- Excellent silky, detailed sound with balanced lower end
- Ideal for stage and studio
- Good noise rejection
- Switchable polar patterns (cardioid, super-cardioid)
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Advantages of this Mic
- Our favorite midrange dynamic handheld mic
- Comes in nearly every color
- Modern, bright sound with excellent detail that never sounds thin
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Advantages of this Mic
- Best looking mic in the world
- Has a flattering, midrange response
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Advantages of this Mic
- Better vocal detail and intelligibility than the SM58
- Superior Feedback Rejection
- Higher Output
- Durable
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Advantages of this Mic
- The most popular vocal microphone
- Built like a tank and nearly all the parts are replaceable
- Great value
- Can also work as a utility mic around the studio or stage
Intro: How We Chose the Best Microphone for Live Vocals
In live audio, vocal microphones shoulder the heaviest burden. Thankfully, gone are the days when the only reliable option was the old dynamic mic with a bloated proximity effect and dull mids.
Advancements in IEM monitors, better stage wedges, new materials, and increased competition have all contributed to a new age of live audio, spawning live vocal mics that deliver higher-grade sound at affordable prices.
For this buyer’s guide, we tested dozens of live vocal mics. You can hear the results of our tests in the sound clips below. Based on our tests, we compiled this shortlist with 10 of the best options for live vocals today. We have included both dynamic and condenser mics to suit a wide range of vocal styles and budgets.
Now, without further ado, to the list!
See here for all of our mic and audio gear reviews.
Beyerdynamic M88
our rating
4.8
(out of 5)
Type: dynamic
Bottom Line:
One of the best handheld dynamic mics out there. With quick transients, detail, and thicker lower-mids, the result is silky and full.
Sung Vocals Test, Beyerdynamic M88
The Beyerdynamic M88 is our favorite live dynamic vocal mic. Its exceptional detail combined with its midrange punch gives it a sound found nowhere else.
First introduced in 1962, the M88 was used mostly as a utility dynamic mic for kick drums, but its unique character has since become coveted for live vocals. (In some circles, it is referred to as the ‘Phil Collins’ mic, as he used it almost exclusively on his vocals.)
Build
The Beyerdynamic M88 has a tank-like build, weighing in at 320g, with brass casing and a flat steel grille. Despite its heft, it’s relatively small and petite-sized.
Its capsule has high sensitivity for a dynamic mic (2.3 mV/Pa). In other words, it’s a ‘hot’ mic and requires a little mic technique to keep its high output reined in.
The diaphragm is made of Hostapahan (similar to Mylar), and the magnets are neodymium. Despite the various versions with different letters after the ‘M88,’ the mechanical and acoustic characteristics remain essentially the same. The latest iteration (2023) comes in black and silver.
Sound
The frequency response of the M88 TG has a significant (8 dB) lift in the upper frequencies, from 2 kHz to 15 kHz. Yet it doesn’t sound overly hyped or tinny. However, the M88 TG is definitely not neutral sounding.
Overall, it delivers a well-produced, out-of-the-box sound. The clarity in the top end is notable for a handheld dynamic mic, and the lower mids are thick (particularly nice for female vocals). The mic does pop quite easily on plosives, but its high output contributes to its vocal results sounding so present on stage.
With its hyper-cardioid pattern, the M88 excels at rejecting unwanted neighboring noise. In our tests, the mic showed excellent consistency in its off-axis response. It sounds nearly identical at 45 degrees as it does directly on-axis. The pronounced sweet spot means you don’t need to be overly careful with placement to achieve a consistent sound.
Utility and Versatility
As a utility mic, the M88 delivers excellent results. Being a dynamic mic, it handles loud sound sources effortlessly. The quick transient response of the Hostapahan diaphragm makes it an excellent choice for kick drums. In addition, its fuller lower-mids and detailed top end made it particularly pleasing for recording acoustic guitar in our tests.
Verdict
In summary, if you’re looking for an elite live vocal mic, the Beyerdynamic M88 has to be considered. Its unique combination of detail, midrange punch, and versatility ensures it remains a standout choice for vocalists and sound engineers alike.
Neumann KMS 105
our rating
4.9
(out of 5)
Type: large-diaphragm condenser
Bottom Line:
A handheld condenser rugged enough for the stage. A gem for live vocals.
Sung Vocals Test, Neumann KMS 105
The KMS 105 is a gem for live vocals, providing a natural, detailed, warm sound with features that make it simply easy to sing with—low handling noise, minimal proximity effect, and excellent handling of sibilance and plosives.
The KMS 105 is a specialist breed—it offers the detail and sparkle of a large-diaphragm condenser microphone in a rugged, handheld body. (See here for our full review of the Neumann KMS 105)
Build
The KMS 105 microphone boasts an all-metal body weighing 300 grams, giving it a solid hand feel. Its K50 condenser capsule is protected by a double layer of metal mesh, reducing plosives and enhancing its robust construction.
The Neumann KMS 105 features a built-in high-pass filter that is always active and cannot be switched off. The filter cuts -3 dB below 120 Hz, minimizing handling rumble and stage vibrations.
In addition, the KMS 105 is further specialized for live vocals, employing a fixed internal EQ that subtly compensates for proximity effect (the increase in bass frequencies that occurs when a mic is close to the sound source).
The mic requires phantom power to operate and features an internal shock mount to reduce mechanical vibrations and handling noise. The grille can be easily unscrewed for cleaning.
The fixed supercardioid pattern, with a tighter pickup area than standard cardioid mics, provides more off-axis rejection and minimizes feedback from stage monitors.
Sound
The microphone has a gentle brightness in the high frequencies, peaking around 12 kHz, which gives clarity and presence to vocals without introducing sibilance.
With a neutral response, it doesn’t overly color your sound. At the same time, the mic’s large diaphragm adds a bit of warmth and sparkle to live vocals. In other words, it’s neutral but flattering.
Despite its lower sensitivity for a condenser mic, its performance in capturing detail is outstanding. It has a neutral frequency response and the ability to handle high sound pressure levels, making it suitable for studio use as well.
In fact, the KMS 105 is one of our favorite mics for recording vocals due to its versatility on the stage and in the studio.
Verdict
The Neumann KMS 105 is a standout choice for live vocals, offering a natural, detailed, and warm sound. Its thoughtful design makes it a joy to sing with, thanks to low handling noise, minimal proximity effect, and exceptional control over sibilance and plosives.
As with all Neumann mics, you are paying a premium. However, after testing, I can confirm that the quality matches the cost in this case. You won’t be disappointed.
Shure Nexadyne
our rating
4.8
(out of 5)
Type: dynamic
Bottom Line:
A new elite live vocal mic. Delivers detailed, clear vocals and has a lovely, wide sweet spot that is tolerant of movement.
Sung Vocals Test, Shure Nexadyne
The Nexadyne microphone is one of the elite choices on this list for live vocals. Available as a cardioid (8/C) and super-cardioid (8/S) mic, the Nexadyne has a generous sweet spot, exceptional off-axis rejection, and a detailed, natural sound with well-controlled proximity effect.
(See here for our full review of the Shure Nexadyne)
Wireless Version of the Nexadyne
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ULXD2/Nexadyne 8C/S Wireless
Build
The Nexadyne represents a new development in dynamic mic technology, utilizing two diaphragms that work together to reduce handling noise and provide consistent directional pickup across the frequency spectrum.
The mic features a hardened grille and die-cast aluminum body, giving it the same kind of durability as the indestructible SM58. It has a slightly larger build, measuring around 200mm in length and 50mm in diameter, and weighs just under 300 grams.
Sound
The Nexadyne delivers a balanced, crisp sound right out of the box, with no EQ necessary. In our tests, the mic’s proximity effect, sibilance, and plosives were well controlled. In general, it’s an easy mic to sing with.
Perhaps this mic’s most impressive feature is its large sweet spot, which allows for consistent response and gives the vocalist the freedom to move without losing sound quality. Backing away, the low-end frequencies remain full, unlike most dynamic mics.
The Nexadyne 8/C and 8/S have similar frequency responses, with the key difference being a louder presence peak at 4 kHz in the 8/S.
Off the stage, the mic works well as a utility dynamic mic. Its controlled proximity effect and linear low-mid response make it well-suited for close-miked recording applications.
Verdict
The Shure Nexadyne is an elite live vocal mic because it ticks all the boxes: reliable, durable, detailed, natural-sounding, and easy to use.
Sung Vocals Test, Heil Sound PR35
The Heil Sound PR35 is an elite dynamic stage microphone with a distinct sound signature, serious output, minimal feedback, and impressive detail. If you’re looking for a microphone that makes your vocals stand out in the mix, the PR35 delivers.
(See here for our complete review of the Heil Sound PR35)
Build
The PR35 has a robust, heavy build reminiscent of the SM58, with a matte finish that feels comfortable in hand—though it does tend to attract smudges and fingerprints.
At its core, the PR35 features a large 1.5-inch aluminum diaphragm, which captures a wide dynamic range and condenser-like detail while maintaining the rugged durability of a dynamic mic.
The microphone also includes a three-position high-pass filter (HPF) switch, allowing you to control the proximity effect on close-miked vocals and reduce unwanted low-end rumble in live settings. While the switch can feel a bit awkward to adjust, it gets the job done.
The PR35’s capsule is protected by a foam-lined grille that helps minimize noise, and the internal suspension system reduces handling noise significantly—perfect for live performance environments.
Sound
The Heil Sound PR35 stands apart from typical dynamic microphones. Its higher output makes it noticeably louder than most stage mics, and the presence boost at 2 kHz, paired with a peak around 5-6 kHz, ensures vocals sit front and center in any mix. You’ll hear this forward clarity immediately during sound checks through stage monitors.
The PR35 excels at rejecting off-axis sound, reducing feedback and isolating the intended source, making it an excellent choice for loud stage environments. It handles high sound pressure levels without distortion, capturing everything from delicate vocals to powerful instruments with ease.
The mic also shines when used for close-miking instruments, delivering clean detail and a pleasing warmth with a subtle rosy coloration that enhances the overall sound.
Verdict
With its unique sound signature, impressive output, and exceptional detail, the Heil Sound PR35 is a standout among elite dynamic stage microphones. Paired with the right voice, it’s a true gem.
For anyone seeking a top-tier live vocal mic, the PR35 deserves a spot on your shortlist. Give it a try—if it complements your voice, you won’t regret it.
Sennheiser e965
our rating
4.8
(out of 5)
Type: large-diaphragm condenser
Bottom Line:
An excellent mic for live vocals with the feel and low-handling noise of a dynamic mic and all the benefits of a large-diaphragm condenser.
Sung Vocals Test, Sennheiser e965
The e965, Sennheiser’s flagship model in the e900 series, stands out for its superb performance in live vocal applications, harnessing the power of a large-diaphragm condenser.
Wireless Version of the Sennheiser e965
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EW 500 G4-965 Wireless
Build
Unlike most handheld condensers that use small to medium diaphragms and sacrifice low-end richness, the e965 features a full 1-inch diameter diaphragm. Moreover, it includes a switch under the capsule to toggle between Cardioid and Supercardioid pickup patterns, with the latter providing better side and rear rejection.
Additional features under the capsule include a high-pass filter switch to reduce proximity effect and low-end rumble, and a -10 dB attenuation pad for loud environments. The mic’s handling noise is expertly managed by the elastic capsule bearing.
Sound
The e965 provides a ready-to-go sound straight out of the box. Without any EQ or compression, you’re getting silky smooth live vocals. The mic is particularly good for intimate live vocals, delivering easy, full sound even on the breathiest of singers.
On stage, the high-pass filter (under the grille) made its significant proximity effect immediately more manageable. The mic’s wide sweet spot allows vocalists to move freely while rejecting side or rear noise without compromising sound quality and detail.
With its excellent resolution and large diaphragm, we loved this mic in the studio for all close-miked applications: vocals, acoustic instruments, and amps.
Verdict
The Sennheiser e965 is an ideal choice for live vocals, brilliantly marrying the rugged body of a dynamic mic with the richness and detail of a large-diaphragm condenser.
Compared to our other favorite handheld condenser, the Neumann KMS 105, the sound of the e965 is a little sexier and silkier, less neutral. You won’t be disappointed with either.
Telefunken M80
our rating
4.9
(out of 5)
Type: dynamic
Bottom Line:
A great handheld dynamic, vocal mic. Modern, bright, detailed sound, but never too thin.
Sung Vocals Test, Telefunken M80
Telefunken markets the M80 as a dynamic microphone that delivers the clarity and resolution of a condenser. In our tests, it held up to that promise. This is our favorite midrange live vocal mic, and it offers some of the best value for money on this list.
Wireless Version of the Telefunken M80
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Telefunken M80-WH2 Wireless Capsule
Build
The Telefunken M80 takes inspiration from the reliable SM58 in its rugged construction. It features a steel grille, a sturdy steel casing, and a slip-resistant rubber coating that makes it feel fully road-ready.
One standout feature of the M80 is its aesthetic versatility—it’s available in a wide range of colors. You can opt for the classic black and silver, vibrant turquoise, rich wood finishes like oak and cherry, playful pink, or even a flashy gold. (For this review, we tested the more understated white version.)
Inside, the M80 houses a low-mass diaphragm that delivers faster transient response and higher detail resolution compared to most dynamic handheld microphones. A notable addition is its unique T80 output transformer, which seems to contribute to the mic’s smooth, non-harsh detail.
With a max SPL of 135 dB and a sensitivity rating of 1.54 mV/Pa, the M80 is well-equipped for handheld vocal duties.
Sound
Covering a frequency response of 50 Hz to 18 kHz, the M80 has a noticeable boost of around 7 dB between 3 kHz and 15 kHz, adding edge and clarity to any source.
In testing, the M80 delivered a bright and detailed sound without ever crossing into tinny or overly hyped territory. To my ear, it’s brighter than any other handheld mic I’ve reviewed, yet it never feels thin.
That said, the M80 isn’t neutral—it’s a mic with character. The sound is shaped, but tastefully so, requiring minimal EQ. However, its thin and sensitive diaphragm means plosives can be an issue, so careful mic technique is a must.
The cardioid pattern is tight and consistent, with minimal off-axis coloration. If you need even more rejection of neighboring noise—like in a club with low ceilings—Telefunken offers the M81, a super-cardioid version of this mic.
Conclusion
With its exceptional detail, smooth response, and stylish build, the Telefunken M80 is a standout option for anyone in the market for a handheld dynamic vocal mic. It’s bright but refined, rugged yet elegant, and absolutely worth considering.
Although this mic does not have the high output/low feedback capacity of elite mics like the Shure Nexadyne, Heil PR35, or Beyerdynamic M88, it delivers sound that competes with these mics at a very good price.
Sennheiser E935
our rating
4.5
(out of 5)
Type: dynamic
Bottom Line:
Sounds like an SM58 with more detail. Great choice for live vocals.
Sung Vocals Test, Sennheiser E935
The Sennheiser e935, and its super-cardioid counterpart, the e945, are popular live vocal mics that offer exceptional value. (See here for our full review of the Sennheiser e935)
Wireless Version of the Sennheiser e935
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EW 500 G4-935 Wireless
Build/Design
About the same size as a Shure SM58, the Sennheiser e935 has a fairly heavy metal body (355 g). The neodymium magnets offer a fairly high output (2.8 mV/Pa) for a dynamic mic, making this one of the hotter stage mics.
The shock-mounted capsule has low sensitivity to impact and handling noise. The e935 is also lauded for its lack of interference, thanks to its hum-compensating coil.
Sound
The Sennheiser e935 has noticeable detail in the upper mids. It sounds more natural than an SM58 but still retains an overall dynamic mic, midrange-focused sound.
Due to its high output, the e935 requires good mic technique. Sibilance is well-controlled, but plosives can pop out if mic positioning isn’t carefully managed.
In the studio, it delivered fairly good results on acoustic guitar and guitar amps, which was unexpected. This makes it a solid alternative as a utility mic for various applications.
Verdict
Overall, at an affordable price, the Sennheiser e935 is a great handheld vocal mic that should be seriously considered for live vocals. Its combination of build quality, clarity, and versatility make it one of the best deals on this list.
Shure 55SH Series II
our rating
4.5
(out of 5)
Type: dynamic
Bottom Line:
The coolest looking mic with an air-less, covered sound that is surprisingly lovely to listen to. Great for live vocals.
Sung Vocals Test, Shure 55SH Series II
The Shure Unidyne Model 55, famously known as the “Elvis Mic,” has been turning heads since its debut in 1939—and it’s still the coolest-looking microphone on the planet. If you want a stylish live vocal mic, look no further.
Legends like Elvis Presley, FDR, JFK, MLK, Indira Gandhi, Patsy Cline, Frank Sinatra, and Ella Fitzgerald (to name just a few) have all been seen behind this iconic mic, which practically defined what a microphone should look like.
Enter the Shure 55SH Series II: the modern evolution of a timeless classic.
Build
Weighing in at a solid 624 grams, the 55SH Series II feels as sturdy as it looks, thanks to its chrome-plated die-cast body. Designed for live vocals, it comes equipped with practical features like an internal shock mount to reduce handling noise, a built-in pop filter to tame plosives, and a good old-fashioned on-off switch.
The biggest change? The original capsule has been swapped for a modern, low-impedance cardioid capsule, delivering improved performance while maintaining the vintage vibe.
Sound
The Shure 55SH Series II features a 9 dB boost in the 6-7 kHz range, lending vocals a crisp brilliance reminiscent of the SM57. Its frequency response runs from 50 Hz to 15 kHz, with a steep roll-off beginning around 10 kHz. The result is a slightly “air-less,” covered sound that’s unexpectedly pleasant—flattering and smooth, without the harshness of a condenser mic.
The cardioid pattern offers a large, consistent sweet spot, and the proximity effect is particularly pronounced, adding warmth and depth when used up close.
Verdict
I’ll admit, I was surprised by this mic. While I expected it to be all style, it delivers far more substance than I anticipated. It won’t give you the lush, detailed sound of a condenser, but it also won’t capture the unwanted reflections that condensers are known for.
For spoken word and live vocals, it’s an absolute gem—visually iconic and sonically capable. If its limited but flattering response matches your voice and style, you’re winning on all fronts. And let’s be honest: it still looks the coolest.
Shure Beta 58A
our rating
4.5
(out of 5)
Type: dynamic
Bottom Line:
A reliable tool for live vocals with improved detail, feedback rejection, and lower handling noise.
Sung Vocals Test, Shure Beta 58A
The Beta 58A is a robust microphone specially designed for live vocals. With its unique features such as higher sensitivity, superior feedback rejection, and lower handling noise, this mic is a significant upgrade from the standard SM58.
(See here for our complete review of the Shure Beta 58A)
Wireless Version of the Shure Beta 58A
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Shure SLXD24/B58 Wireless
Build
The Beta 58A, similar to its counterpart the SM58, boasts a rugged build with a die-cast metal body, enamel coating, and a hardened steel grille. The grille design of the Beta 58A, made of hardened steel mesh, is more resistant to dents and damage compared to the SM58.
The Beta 58A addresses some of the SM58’s shortcomings with a few tweaks. Featuring a neodymium magnet in its dynamic capsule, the Beta 58A delivers a higher output and a more sensitive response than the SM58. The mic’s higher output requires less amplification, Which reduces feedback problems.
Other upgrades include an advanced pneumatic shock mount system for lower handling noise and improved noise isolation. The mic’s supercardioid polar pattern also provides a tighter sound pickup and better isolation.
Sound
With a frequency response ranging from 50 Hz to 16 kHz, the Beta 58A sports a tailored presence boost in the upper midrange around 4 kHz and 10 kHz. In our tests, this was fantastic with some voices and less flattering for others.
On the whole, this response results in more detail and less midrange mud than the SM58. The mic effectively minimizes plosive sounds and handles sibilance well, thanks to a dip around 6-7 kHz in its frequency response.
Verdict
With its improved clarity, feedback rejection, and handling noise, the Beta 58A is a top-quality midrange live vocal microphone worthy of consideration.
Shure SM58
our rating
4.5
(out of 5)
Type: dynamic
Bottom Line:
The most popular mic for live vocals. Delivers a ‘good enough’ sound in nearly any setting.
Sung Vocals Test, Shure SM58
The Shure SM58 is the world’s most popular dynamic vocal mic for live performances—and for good reason. Few microphones offer as much versatility and reliability at such an affordable price (except perhaps its sibling, the SM57. See here for our comparison of the SM57 vs SM58).
Wireless Version of the Shure SM58
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Shure S(Q)(G)LXD24 SM58
Build
Renowned for its durability, the SM58 is built like a tank. It’s so tough that musicians have subjected it to extreme tests—dropping it from buildings, freezing it, even microwaving it—and it still survived! All parts are fully replaceable, adding to its longevity.
The mic features a sturdy ball grille with an integrated wind and pop filter, while the Unidyne III capsule inside provides the foundation for its reliable performance.
Sound
The SM58 consistently delivers a usable sound, making it a marvel of engineering. While it may lack the detail and refinement of higher-end microphones and can sound somewhat boxy, a bit of EQ and compression can easily transform it into a solid choice for a wide variety of gigs and recordings.
Verdict
The SM58 offers exceptional value, combining durability, reliability, and versatility. However, if you’re looking for detail and a polished, ready-to-go sound right out of the box, this might not be your first pick. Still, as a dependable workhorse mic, it’s hard to beat.
How We Tested to find the Best Microphone for Live Vocals
In the Soundcloud examples above we test out these microphones. We used a Universal Audio Apollo Solo Interface recorded with Logic Pro X. To give an idea of the raw sound of the mics, we have resisted the urge to make any post-recording adjustments to the tracks. There is no EQ or compression applied to any of the audio clips here. We adjusted the gain from the audio interface to taste. The guitars are a Martin steel-string acoustic (SP000-16TR), and Fender Strat.
We acknowledge that there is no one way to use a microphone. Mic placement, how you play or sing, not to mention EQ, compression, impedance, and preamp settings can all have dramatic effects on the final result.
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